One song that sounds nothing like anything else in Rihanna’s past is “Skin,” a contender for anti-gravity slow jam of 2010 - a match for Trey Songz's “Red Lipstick” and Usher’s “Mars vs Venus.” The low points - the cluttered “Complicated,” the unfinished-sounding Nicki Minaj collaboration “Raining Men,” the overwrought rock weeper “California King Bed” - weigh the album down, making it resemble a fourth-quarter stopgap as Rihanna prepares her next truly eventful release. There’s just enough quality content to maintain her visibility. Makeba Riddick, Producer - Scott Spock, ComposerLyricist - Graham Edwards, ComposerLyricist - Lauren Christy, ComposerLyricist - Andrew Harr, ComposerLyricist - Laura Pergolizzi, ComposerLyricist - Stacy Barthe, Background Vocalist, AssociatedPerformer, ComposerLyricist - Robyn Fenty, ComposerLyricist - Rihanna, MainArtist - Corey Gibson, ComposerLyricist - LP, Background Vocalist, AssociatedPerformer - Avril Lavigne, ComposerLyricist - Antonio Resendiz, Asst. Recording Engineer, StudioPersonnel - The Runners, Producer - Jermaine Jackson, ComposerLyricist - Marcos Tovar, Mixer, Recording Engineer, StudioPersonnel - Ben O'Neil, Asst. Recording Engineer, StudioPersonnel - Inaam Haq, Asst. Recording Engineer, StudioPersonnel - Jeff 'Supa Jeff' Villanueva, Recording Engineer, StudioPersonnel - Robert Campbell, Assistant Mixer, StudioPersonnel - Dane Liska, Asst. Recording Engineer, StudioPersonnel - Brad Shea, Asst. ℗ 2010 Def Jam Recordings, a division of UMG Recordings, Inc. See More Your browser does not support the audio element. Album DescriptionIn 2012, right on schedule, Rihanna delivered her fourth annual November album.

The singer took a different route with the lead single. She didn't go with a dramatic ballad like 'Russian Roulette' or a big dance number like 'Only Girl (In the World)' and 'We Found Love.' Instead, the nod went to a midtempo pop ballad, 'Diamonds' - as in 'We're like diamonds in the sky' (rather than stars in a mine), a simple and effective, light in meaning yet massive in sonics, quasi-processional. Even with that change of pace, the possibility of it signaling an overall change in direction was slight. Not only is Unapologetic just as varied as Rihanna's past albums - it's another timely refresh of contemporary pop music - but it's a little more exploratory and a whole lot deeper, too.

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